I thought of car tires and mule trains, and I couldn't get anything to fit. [44] A second "Who Do You Love" single by Rush was released in 1971, which appeared at number 105 on Billboard's "Bubbling Under Hot 100 Singles" chart. Dharmender is awesomely passionate about Indian and English literature, and continuously read poems of many different poets. [19], The Hawks' Robbie Robertson's guitar playing is prominent in the recording and has been noted by several music writers. Take this quiz, people. [49] Additionally, Koda notes "great and varied covers over the years" by Brownsville Station, the Doors, Carlos Santana, the Blues Project, the Blues Magoos, Roy Head, and John Hammond Jr.[2] He adds "the song has held up to a number of different interpretations. [16], Rockabilly singer Ronnie Hawkins performed "Who Do You Love?" I can't tell you anymore or you will find out what it's about! Thus, the “Floating Candles” in the poem have been talked twice in the poem, and this could be because the woman likes “Floating Candles” in the pudding basin.
[38] In addition to Bo Diddley's lyrics, he included: "Snakeskin shoes baby put 'em on your feet, got the good time music with a Bo Diddley beat". Subscribe to our mailing list and get new poetry analysis updates straight to your inbox. In contrast to Quicksilver Messenger Service, Thorogood's punchy 4:21 rendition is more suited to a dive bar than a psychedelic ballroom.

La de da de dah! Guitarists' contributions to the various renditions of the song have been noted by music critics and writers. During the group's early days in 1966 and 1967 with singer and harmonica player Jim Murray, the song was performed with a relatively concise blues rock arrangement featuring a Bo Diddley-style beat and harmonica and guitar solos. Tomorrow”. [12][13] Jody Williams answers the vocal lines with prominent, distinctive overdriven guitar fills and a solo. [43] Unterberger describes it as "electric rock ... Tom adapted an uncharacteristically low and playful growl for Diddley's 'Who Do You Love,' graced by early fuzz guitar distortion" with the same musicians who backed Dylan in 1965.

was recorded in Chicago on March 24, 1956, one year after recording the eponymous "Bo Diddley", his debut single. The song has been interpreted and recorded by numerous musicians in different styles, often adding a Bo Diddley beat. " Who Do You Love? "

Even the very title or the question titled and posed through Vertical Interrogation of Strangers, by the poet suggests itself that the narrator is talking about her lover whose identity is not disclosed, but the lover loves a woman, who is filling bath to float candles. has been interpreted and recorded by numerous musicians. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm. We respect your privacy and take protecting it seriously. Beginning with blues guitarist Jody Williams' prominent fills and solo on Bo Diddley's original recording, the guitar work by Robbie Robertson (Hawkins), John Cipollina (Quicksilver), Glenn Ross Campbell (Juicy Lucy), and Thorogood on later adaptations has been also acknowledged. I can't tell you anymore or you will find out what it's about! After logging in you can close it and return to this page. is an uptempo song centered on one chord (A♭) with guitar flourishes that complement the vocals. I like flowers, I like spring, I like pretty much everything! [5] However, Bo Diddley uses imagery more common to the American Southwest, combined with exaggerated bravado. Through her “Vertical Interrogation of Strangers”, Bhanu Kapil asks what happens when the outside world of the individual self is pierced, invaded and colonized and terrorized. [24] In 1976, Hawkins performed the song with the Band for The Last Waltz concert film and album. [39] In 1985, he performed it with Bo Diddley at Live Aid benefit concert in Philadelphia. begins with the lover’s departure and ends at “Floating Candles”, which is what the narrator of the poem does before and after the departure of the lover. The lover knocks at the woman’s door to tell her that he loves her, but his romance gets vanished when he learns that the woman has brown eyes, not the black eyes that enthralled him towards the woman. A better kind of quiz site: no pop-ups, no registration requirements, just high-quality quizzes [19], Hawkins' single was a hit in Canada, according to writer Oliver Trager,[15] but its release predated Canadian record chart compiler, RPM magazine. Folk singer Tom Rush recorded the song for his 1966 album Take a Little Walk with Me. [46], A psychedelic rock version by the Misunderstood was recorded in 1966 and released as the B-side to the "I Can Take You to the Sun" single on Fontana Records. Later when the lover comes to tell the woman that he loves her, she becomes so busy in filling the bath wherein she will float candles that in the roar of falling water, she cannot hear the knock on her door, and thus the lover has to go without getting any answers from her. Unterberger calls it a "template upon which to hang long instrumental guitar improvisations, [with] the tempo and the melody of the original tune all but disappearing". [1] He adds that the song is "spine-chilling ... [with] murky vocals, eerie—almost surreal—lyrics". In another way, the woman ignores the feelings of this lover to such an extent that she cannot even forget to memorize his face. During her travel through the above-mentioned countries, she reaches the homes of people living there, and comes in contact with them to take their interviews, and tries to learn how they live there, and asks them “Twelver Questions”, which relate to their lives. [24] Released in 1965, the song uses a Bo Diddley beat with a blues rock arrangement. [32] The fourth section returns to the Bo Diddley theme with a guitar solo by Cipollina, described in a Mojo magazine album review as "distinctive, quivering, vibrato-heavy playing",[33] with the band delivering a solid backing. Whatever may be the reason for floating candles, the distance between their bodies becomes too wide to cover. Music historian Charlie Gillett describes Hawkins' vocal as "low and hard, achieving all that rock 'n' roll could do". Capitol Records prepared an edited 3:35 version for release as a single. The login page will open in a new tab. [28] At just less than six minutes, it is fairly representative of their early performances.

Remember to rate this quiz on the next page! [6][a], In 1956, the song was released as a single by Checker Records, a Chess Records subsidiary, but did not reach the record charts. "Who Do You Love?" Who do you Love?

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